![]() ![]() Or, you can also improve the lighting automatically using the machine learning-powered ML adjustment. In total, there are 8 different sliders you can manually adjust: exposure, highlights, shadows, brightness, contrast, black point, clarity, and texture. I know it's a year old but I remember being irate when I saw it last year because this is a particularly disgusting example.In the Basic adjustments category, you'll find options for adjusting all the base aspects of a photo, including lightness, clarity, and texture. Let me start by presenting a side by side comparison of a shot from the 14 Pro and Pixel 7 from The Verge's iPhone review last year. I often find myself adjusting my 14 PM photos slightly to account for the yellow cast and subsequent desaturation/poor contrast. It's getting to the point where every new iPhone release has me waiting in anticipation for the first real life photos to be published JUST so I can see if they've fixed this one issue. iPhones repeatedly render a green or yellow tinge in many photos and subsequently kill the kind of beautiful color contrast we see in the 'best case' photos from Apple's keynote as well as our own photographs.The "balanced" versions are to provide contrast and demonstrate the yellow-green tinge exists in the first place for those that don't think it's obvious I'm no editor or professional photographer so you may not agree with the final output of my corrections (some are too magenta or cool for example) but the point is to demonstrate that the original needs SOME form of correction, albeit better than mine, to counter the yellow-green tinge. Again from The Verge 15 Pro review except this time I've included the same image with some very simple correction applied to it via Pixelmator. Unfortunately the 15 Pro exhibits the same issue, maybe there are some slight improvements but not enough. The iPhone on the other hand looks like a PS3 cutscene from a Yakuza game, a complete blob of yellow-green Gotham CGI. You see it? The Pixel is very balanced, there are different colored lights and the color of buildings can be seen through the harsh office lights, all the while the sky is closer to what you would see if you were actually standing there. As you will see the 15 Pro still has this issue in varying degrees of severity: I know it's a year old but I remember being irate when I saw it last year because this is a particularly disgusting example. ![]() I often find myself adjusting my 14 PM photos slightly to account for the yellow-green cast and subsequent desaturation/poor contrast.
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